All the works are in a sense an invitation to an atmospheric walk through Warsaw. Here is what the artist would say: I am painting the immobile objects, but I construct them in a way that they can be remembered by a person passing by, not by someone looking at them constantly from one place. Therefore, the viewer will see that a building on canvas may be slightly less visible than when viewed in reality from the same vantage point. I want my paintings to create an impression that you are walking with me through Warsaw streets instead of looking constantly at a stagnant, solid part of a building.

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